© 2008 van Lier & Vergeer

To do:
Fixate your gaze on the center of one of the figures and stare at it for some time (20-30 seconds) while it cycles (without moving your eyes). After several iterations you’ll start noticing that the empty outlines fill in with ghostly redish or bluish colors! These illusory colors are called “afterimages”. Interestingly, the colors of the afterimages vary, which is puzzling because they come from the same original figure. Moreover, the shape of the outlines determines the filled-in color, which is complementary to the color of the same shape in the original figure.
What’s happening?
It is well known that viewing a colored surface can induce a vivid afterimage of the complementary color (for example, the color red induces a greenish/bluish afterimage). Our illusion shows that a colored image can produce different colored afterimages at the same retinal location. The perceived afterimage colors depend on the contours that are presented after the colored image. More specifically, the illusion shows that the afterimage colors spread and mix between those contours. In addition, alternating different contours after the original colored image causes rapidly switching afterimage colors.

See more demos.

Read more about the illusion and possible explanations.

Van Lier, Vergeer, Anstis, 2009, Filling-in afterimage colors between the lines, Current Biology, 19 (8), R323-R324.

© 2007 Kingdom, Yoonessi & Gheorghiu

Here is a novel illusion that is as striking as it is simple. The two images of the Leaning Tower of Pisa are identical, yet one has the impression that the tower on the right leans more, as if photographed from a different angle. The reason for this is because the visual system treats the two images as if part of a singlescene. Normally, if two adjacent towers rise at the same angle, their image outlines converge as they recede from view due to perspective, and this is taken into account by the visual system. So when confronted with two towers whose corresponding outlines are parallel, the visual system assumes they must be diverging as they rise from view, and this is what we see. The illusion is not restricted to towers photographed from below, but works well with other scenes, such as railway tracks receding into the distance. What this illusion reveals is less to do with perspective, but how the visual system tends to treat two side-by-side images as if part of the same scene. However hard we try to think of the two photographs of the Leaning Tower as separate, albeit identical images of the same object, our visual system regards them as the ‘Twin Towers of Pisa’, whose perspective can only be interpreted in terms of one tower leaning more than the other.

Leaning tower illusion Frederick A. A. Kingdom, Ali Yoonessi, Elena Gheorghiu Scholarpedia 2007. 2(12):5392.

The Leaning Tower illusion: a new illusion of perspective Frederick A. A. Kingdom, Ali Yoonessi, Elena Gheorghiu Perception. 2007. 36(3):475-477

You will see a rotating wheel that pulsates each time it aligns with two stationary shapes. You may also see that, at the same time, the inner stationary shape wiggles. The pulsations seem to be caused by color assimilation, and the other effects by ambiguous figure-ground segregation.

Read more about the illusion and possible explanations at Peter van der Helm’s website

For another interactive version of this Illusion, see Michael Bach’s “Optical Illusions & Visual Phenomena” website.

Kaleidoscopic motion and velocity illusions Peter A. van der Helm Vision Research, 2007. 47:460–465

An object (e.g. airplane) is turning on a surround (greenhouse), which is swaying back and forth. Observe the rotation of the object. Is it turning smoothly all the time? Or does it “freeze” from time to time? Convince yourself by covering the swaying surround that the object is really turning continuously. If the object is swaying back and forth and the surround is turning continuously we do not perceive a slow-down of the surround. Assuming a stable surround, our visual system probably uses the surround as a reference to measure motion of the included objects.

Read more about the illusion and possible explanations

See an interactive version of the The Freezing Rotation Illusion at Michael Bach’s “Optical Illusions & Visual Phenomena” website

The Freezing Rotation IllusionMax R. DürstelerNature Precedings 2007. 371.1

(© 2006 Peter Tse)

Fixate the black fixation point on the far left side of the image. Note that the figure appears to move steadily away from the fixation point, even though it is in fact only moving up and down.

(© 2006 Peter Tse)

Fixate the central fixation spot. Notice that the two balls on the left and right appear to be bouncing toward fixation, even though they are in fact remaining at a constant distance from the fixation point. Best viewed on a large screen.

See another version of the illusion

The infinite regress illusion reveals faulty integration of local and global motion signals Peter U. Tse & Po-Jang Hsieh Vision Research. 2006. 46:3881-5

Here we present a new multistable stimulus generated by continuously rotating an ellipse behind four fixed occluders. Observers can perceive one of four percepts: (1) a continuously morphing cross, (2) two independent perpendicular bars oscillating in depth, (3) a rigidly rotating ellipse observed behind the occluders, or (4) a fixed cross observed through a continuously rotating, elliptical aperture.

The bar – cross – ellipse illusion: Alternating percepts of rigid and nonrigid motion based on contour ownership and trackable feature assignment Gideon P. Caplovitz & Peter U. Tse Perception. 2006. 35:993-7

When a gradient stimulus, whose luminance contrast ranges gradually from white on one side to black on the other, is made to disappear all at once so that only the uniform white background remains visible, illusory motion is perceived. This motion lasts ~700ms, as if the stimulus moves from the low to the high luminance contrast side. This gradient-offset induced motion does not occur for equiluminant color-defined gradient offsets, suggesting that it relies mainly on the magnocellular pathway. We hypothesize that this illusion is caused by the difference of decay rates within the gradient afterimage.

See different versions of the illusion

Illusory motion induced by the offset of stationary luminance-defined gradients Po-Jang Hsieh, Gideon P. Caplovitz & Peter U. Tse Vision Research. 2006. 46:970-8

(© 2006 Alan Stubbs)

For the primary effect, one should sit at a comfortable distance and then move forward toward the center of the figure. An interesting change in apparent brightness and to some degree form will result—what may be called a “here comes the sun” effect. By moving back and forth, this apparent change will repeat.

See different versions of the illusion

Read more about the illusion and possible explanations

A new set of illusionsthe Dynamic Luminance-Gradient Illusion and the Breathing Light Illusion Simone Gori & D. Alan Stubbs Perception. 2006. 35:1573-7

A number of well-known motion illusions arise when luminance modulates next to a stationary edge (e.g., Anstis and Rogers, 1975; Gregory and Heard, 1983). Here, we reduce these phenomena to four novel elemental conditions and show how these conditions can be combined (like building blocks) to generate an infinite number of new illusory configurations.
Click on the “Elemental Conditions” button in the accompanying movie . In the top two panels, the luminance of the edge modulates next to stationary black or white center fields; in the bottom two panels , the luminance of the center modulates next to black or white stationary edges (Figure 1A shows one frame of the movie). In all four conditions, the fields appear to move even though they maintain a fixed spatial position. The apparent direction of motion may seem counter-intuitive: when the luminance of a modulating edge is similar to the luminance of the center, the motion is outward, whereas when the luminance of a modulating center is similar to the luminance of the edge, the motion is inward.

Read more about the illusion and possible explanations

Visual illusions based on single-field contrast asynchronies Arthur G. Shapiro, Justin P. Charles & Mallory Shear-Heyman Journal of Vision. 2005. 5:764-82

(© 2005 George Mather)

The illusion contains two pattern frames depicting a moving image (hence two-stroke) which are displayed using a technique that creates an impression of continuous forward movement.

Visit the website

Two-stroke: a new illusion of visual motion based on the time course of neural responses in the human visual system George Mather Vision Research. 2006. 46:2015-8